Even if it isn’t amongst the many highlights of the album, “The Approaching Curve” is a nice variation from Rise Against’s typical style. The song tells the story of a couple who break up, and during the drive home, drives their car off a cliff, killing them both in a murder-suicide. “The Approaching Curve” is an interesting little ditty, as its verses are spoken in word instead of being sung. The first, “Bricks”, clocks in at one and a half minutes long, similar to “To the Core” or “Dead Ringer” off of RPM, but unlike those tracks, it’s mid-tempo and contains little to no screaming. Rise Against do get a little experimental on this album, offering some tracks that are different than the usual punk style. The lyrics tell a tale of depression and drug addiction, with a catchy chorus that is bound to be in your head for days. 'Injection' follows, and it is one of the best songs on the album, and maybe one of the best song of Rise Against's entire career. In an album with many highlights, 'Chamber the Cartridge' serves as an opener that lets listeners know what the rest of the album will be like: a pure blend of rage and emotion. 'First bouts of delirium and scenes of homeless Democrats on Wall Street, a single mom of three,' cries Tim McIlrath. Sufferer kicks things off with 'Chamber the Cartridge', a fast-paced punk song with politically charged lyrics about our modern society. Two years later, they followed it up with The Sufferer and the Witness, which almost surpasses RPM for best Rise Against album. There was even a ballad on it (which to this date registers as one of my least favorite Rise Against songs), and lacked any real hardcore moments, other than 'State of the Union'. Although it was still a great album, its sound was easily more mainstream than its predecessor, the masterpiece Revolutions per Minute. Review Summary: No one will suffer from Rise Against's second masterpiece.Ģ004's Siren Song of the Counter Culture was Rise Against's major label debut.

The sufferer and the witness wallpaper